Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Paolo Veronese
ss. geminianus and severus and severus

ID: 69030

Paolo  Veronese ss. geminianus and severus and severus
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Paolo  Veronese ss. geminianus and severus and severus


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Paolo Veronese

1528-1588 Paolo Veronese Galleries Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.  Related Paintings of Paolo Veronese :. | Feast in the House of Levi | the visitation | jove expelling crimes and vices paris | christ with zebedee's wife and sons | Sacra Conversazione |
Related Artists:
Johann Niklaus Grooth
Germany (1723 -1797 ) - Painter
Neeffs, Peter the Elder
Flemish, Approx. 1578-1661
Daniel Huntington
(October 4, 1816 -April 19, 1906), American artist, was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with Samuel F.B. Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he painted many genre, religious and historical subjects. From 1851 to 1859 he was in England. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.






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